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Books of Interest

BA Dissertation:

Brown, R. (2010). Sound: A reader in theatre practice. Basingstoke: Palgrave Macmillan.

Clarke, B. (2014). Neocybernetics and Narrative. MN: University of Minnesota Press.

Curtin, A. (2014). Avant-garde theatre sound: Staging sonic modernity. United Kingdom: Palgrave Macmillan.

Freeman, J. (2016). New Performance/New Writing. London: Palgrave.

Henke, C. and Middeke, M. (2007). Introduction: Drama and/after Postmodernism. In: Drama and/after Postmodernism. Trier: WVT Wissenschaftlicher Verlag.

Kholeif, O. (ed.) (2017). You Are Here: Art After the Internet. 2nd ed. London: HOME (Cornerhouse) + SPACE.

Kokkonen, T. (2017). The potential nature of performance: The relationship to the non-human in the performance event from the perspective of duration and potentiality. Helsinki: Theatre Academy of the University of the Arts Helsinki, Performance Research Center.

Kostelanetz, R. (1994). On innovative performance(s): Three decades of recollections on alternative theater. Buffalo, NY, United States: McFarland & Co.

Lehmann, H.-T., Virkkunen, R. and Theatre Academy Helsinki (2009). Draaman jälkeinen teatteri [Post-dramatic theatre]. Helsinki: Like.

Lushetich, N. (2016). Interdisciplinary Performance: Reformatting Reality. London: Palgrave.

Morton, T. (2016). Dark Ecology. New York: Columbia University Press.

Morton, T. (2013). Hyperobjects. MN: University of Minnesota Press.

Ovadija, M. (2016). Dramaturgy of sound in the avant-garde and Postdramatic theatre. Canada: McGill-Queen’s University Press.

Smith, J. (2015). Eco-Sonic Media. CA: University of California Press.

Soidinsalo, H. (ed.) (2014). Ääneen ajateltua - kirjoituksia äänestä, esityksestä ja niiden kohtaamisista [Thinking aloud - writings on sound, performance and their encounters]. Helsinki: Theatre Academy Helsinki.

BA Major Project Portfolio:

Camus, A. (1942). The Outsider [translation by Sandra Smith, 2013]. London: Penguin.

Carlyle, A. And Lane, C. (Ed) (2013). On Listening. CRiSAP & RGAP.

Irigaray, L. and Marder, M. (2016). Through Vegetal Being: [Two Philosophical Perspectives]. New York: Columbia University Press.

Lane, C. and Carlyle, A. (Ed) (2013). In the Field: The Art of Field Recording. Axminster: Uniformbooks.

Matthews, P., McClelland, J. and Nalbantian, S. (Ed) (2010). Memory Process: Neuroscientific and Humanistic Perspectives. MIT Press.

Toop, D. (2016). Into the Maelstrom: Music, Improvisation and the Dream of Freedom. New York: Bloomsbury.

Voegelin, S. (2010). Listening to Noise and Silence: Towards a Philosophy of Sound Art. Continuum Books.

Voegelin, S. (2014). Sonic Possible Worlds: Hearing the Continuum of Sound. Bloomsbury Publishing.